It'd probably be called 0.5 Meters Down: Fear Personified. In fact, I told this friend, yesterday, that if I was the main character of this movie. I joke around with a friend of mine about my inability to survive for any length of time in the ocean. It's not like I won't go to beaches or anything of the sort, it doesn't go that far, but I just don't go to the beach as often as I probably should considering that I live on a tropical island. It just seems like a practical skill to have, since you never know what can happen, even if I try to stay away from the ocean as much as I can. In the deep movie rated how to#Obviously, that traumatic experience has kept me from learning how to swim for the rest of my life, though I want to. In fact, and again, I don't know if I've shared this, but I almost drowned when I was a little kid. I don't know if I may have talked about this in an older review, but I do not know how to swim. I figure I've got nothing else to do, so I might as well get this review out of the way and avoid facing the same issues that I faced with the prior review, where I began writing it 20 minutes prior to starting that night's movie. Indifferent, though she does show off an amazing collection of sunglasses.(Violence, adult situations.I'm starting this review less than 2 hours after finishing my review for Don't Kill It and less than 40 minutes after finishing this flick. ![]() The acting is perfunctory, suggesting that the performers know they're in a turkey and just want to get it over with. Was based upon childhood nursery rhymes, yet it's never explained how that relates to his hatred of women in general and of Joanna in particular. When Tommy is finally proven to be the actual killer, we discover that his pattern of killing The scene's sole purpose, to establish him as a suspect, is never followed up. Scene, a police officer follows Joanna down a dark street and scares her, only to tell her he was concerned for her safety. In the deep movie rated full#Full of plot holes, contrivances, and stupid dialogue, the writing is equally desperate. Similarly, during each killing, the camera cuts to the same static shot of the woods as we hear the victim's screams. Unfortunately, director Charles Correll feels the necessity to repeat the shotĮvery five minutes, until Miller's hackneyed trench coat and stare become laughable. The first shot of Miller, mysteriously watching the action from afar, establishes him as someone not to be trusted. The cinematography is unimaginative and repetitive. IN THE DEEP WOODS is a lame psychological thriller. After confessing, Tommy tries to escape, but is killed. The murders were a misguided attempt to get back at Joanna. From then on, their mother always treated Joanna better than him. When Joanna and Tommy were children, their father was killed in a boatĪccident that left Tommy unharmed. ![]() When one of Joanna's friends is killed, Joanna finds evidence that Tommy is guilty. She stands by her brother, even though the evidence begins to mount against him. Miller's creepy manner, seeming dishonesty, and penchant for showing up in unexpected Miller suggests to Joanna that her brother Tommy (Chris Rydell) is a suspect in the crime and that he won't stop murdering unless Joanna convinces him to confess. Who claims his daughter was one of the victims. She is approached by nervous, mysterious private detective Paul Miller (Anthony Perkins), Joanna Warren (Rosanna Arquette), a children's author, knows one of the victims, and becomes involved with the police's search for the killer. ![]() The video box misleadingly presents IN THE DEEP WOODS as an erotic thriller, when in fact this 1995 video release is actually a tepid 1992 made-for-TV film, with no sex, violence, or substance.Īt the start of the film, a number of women have been found dead.
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